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DEEPLY APPRECIATE |
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NOW, MEET SOME OF THESE... |
Many of these fine players are deceased, and biographies or images may not be available for all of those who contributed to the over 20 year life span of the Time Warp Tophands. This will be a very long page and will be divided into several sections - you will be given many opportunities to return to the top of the page, or jump to each section in order to avoid lengthy scrolling. Enjoy the information and the history...
JUMP TO "VOCALISTS"
JUMP TO "HORN PLAYERS"
JUMP TO "SPECIAL APPEARANCES"
JUMP TO "TECHNICAL GEEKS"
WE WILL START WITH THE CORE RECORDING BAND AND MAIN
PERFORMING INCARNATION(s) OF THE "TIME WARP TOPHANDS"
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TOM MORRELL
Although nothing can say it quite like his music does, you will find on this web site a plethora of material that will help you to understand how Tom Morrell came to be one of the most respected and sought after western swing arrangers and non-pedal steel guitar players in America. It is only fitting that we start this list with Tommy himself. Even though his fame did not reach that of many of the people in this list, they are all here because Tom generated the extraordinary relationships which led them all to become a part of his legendary "Time Warp Tophands." Tom subsequently dubbed each of them with 'official' nicknames (usually of the animal kingdom) and affectionately referred to them as his "Zoo Inhabitants." With their talent, Morrell arranged and recorded some of the finest Western Swing in modern times, while honoring the jazz and swing traditions of the 1920s, 30s and 40s. |
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CRAIG CHAMBERS By all rights, Craig's photo should be listed down under the category of "Vocalists." However, since Craig is the only other person to be recorded by WR Records, here you have him... right next to Tom Morrell, with whom he shared both stage and studio for better than 20 years. Craig's history in Western and Western Swing music is at least as long as Morrell's, and he's considered to be one of the last of the singing Cowboys. Appearing as a singer and acoustic guitarist on many of the Time Warp Tophands recordings is just a small part of Craig's equally long career in the music business. His first success story came out of the mid 70s when after moving to Nashville and touring with Dottie West, he founded the "Rio Grande Band" and continued touring the nation for Rounder Records. Then, it was on to New York, where he laid roots for 5 years serving as leader of the house band and 'emcee' voice for the Broadway production of, "Best Little Whorehouse In Texas." Keep an eye on the new Craig Chambers pages of this web site for upcoming stories on the Rio Grande Band, Craig's list of available CDs, and more of his unique history with traditional Cowboy, Western, and Western Swing music. |
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RICHARD E. (Rich) O'BRIEN There's just not enough space here to do justice to "Tophand" Rich O'Brien. Only missing out on 2 of Morrell's 15 CDs, "Badger" was busy making his own mark on the Western and Western Swing music industry. In 2009 Rich was inducted into the Western Music Association’s Hall of Fame. In addition, he is the recipient of over a dozen prestigious Wrangler Awards from Oklahoma City’s National Cowboy & Western Heritage Museum, a record for any recipient in any category in the Museum’s history. He was inducted into the Texas Western Swing Hall Of Fame in 1998. Famous for his Western guitar, his playing spans a variety of influences, from swing and jazz, to tejano, folk and classical. His talents have led to two White House performances, visits to The Grand Ol' Opry, Prairie Home Companion, Boys In The Bunkhouse, and more. Rich has now played on or produced over six hundred recordings for such players as Don Edwards, Riders in the Sky, Waddie Mitchell, Sons of the San Joaquin, Red Steagall and Marty Stuart. O'Brien has toured with Country stars Moe Bandy, Gene Watson and Ray Price. While not touring or doing commercials for Southwest Airlines, Wal Mart or Dairy Queen, Rich is arranging a good percentage of the upcoming new "Tophands" CD, in tribute to Tom Morrell. Rich's own recordings are on Western Jubilee Recording, and he's now represented by Scott O'Malley and Associates. |
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JOHNNY CASE Pianist and producer Johnny Case created what would eventually become the 15 volume series of "How The West Was Swung" by Tom Morrell. He did this by making Morrell a unique offer... if Tom would play on Johnny's 1989 production for Roy Lee Brown in tribute to his deceased brother, Milton Brown, Johnny would then finance Tom's first opportunity to record under his own name. And so it was. Tom hand-picked the performers, named the troupe "The Time Warp Tophands," chose the songs, created the arrangements, helped mix the recordings, and even did the original cover art... thanks to the backing of our own Johnny Case. It was Johnny who titled the cassette album, "How the West Was Swung". As an afterthought, the "Volume 1" designation on the cover was added by Morrell - which, as the years came to prove, was indeed a decision of genius foresight. |
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HOWARD 'MAC' MacRAE |
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LEON CHAMBERS
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BOB (Bobby) BOATRIGHT
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GREG HARDY Greg first met Tommy Morrell in 1980 while working with Lanny Long's “Rush Creek Cowboys”. It was also his introduction to western swing music. Lanny's band, with Tom, Greg, Bob Boatright and Leon Chambers, spent several years afterward as the backup band for Don Edwards. That core band, developed and shaped by Tommy's vision of a modern sounding western swing orchestra, evolved into “The Time Warp Tophands”. Greg appears as a drummer and vocalist on 10 of the 15 CD's in Tommy's anthology, “How the West Was Swung”, and he'll be heard on the upcoming new CD by the Tophands.
Greg has performed with many noted artists including Herb Jeffries, Denise LaSalle, The Drifters, Don Edwards, Leon Rausch & Bob Wills' Texas Playboys, Red Steagall, Noel Haggard, Chuck Rainey, Ray Benson, Leroy Parnell, Darrell McCall, Lynn Anderson, Larry Gatlin, Tommy Morrell and Craig Chambers, with whom he played a 2-week run of “The Best Lil’ Whorehouse in Texas” at Ft. Worth's prestigious Bass Hall. |
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BENNY GARCIA Benny Garcia had already left a mark on the music and film industry before Tom Morrell demanded that he be a part of his first solo, self-produced recording session. Benny began playing with bands around Oklahoma City at an early age. In 1948 he joined the Tex Williams Band which led him across the country and facilitated his appearance in six western movies between 1948 and 1952. Following his years with Tex, Benny joined yet another western swing band led by Hank Penny. For a brief time Benny served his country during the Korean war. Afterward he joined the Johnnie Wills band and was subsequently hired by Johnnie's brother, Bob Wills, of the famous Texas Playboys - this put Benny back on the road to almost every major city in America. Through subsequent years he played with a variety of artists from Benny Goodman to Patsy Cline. In 1990, Tom Morrell convinced Benny to travel to Dallas and be a part of his first solo recording, and though his work schedule prevented his appearance on but two of Tom's records, Benny will always be remembered as helping to light a fire under Morrell's "How The West Was Swung" series, earning his place as a Time Warp Tophand and joining Tom in live performances across the country many, many times over the years. |
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RANDY (Snuffy) ELMORE
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TIM ALEXANDER |
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MARK ABBOTT |
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TOMMY PERKINS Tommy Perkins spent most of his career playing for the famous Bob Wills and His Texas Playboys, making western swing his focus as a lifelong, working drummer. Perkins, a dedicated drummer from an early age, recorded "Faded Love" with Bob Wills when he was only 15 years old. Tommy totalled more than 58 years as a professional drummer. When Bob Wills left the Playboys, Tommy continued on to perform with the "Texas Playboys II", who had a regular radio broadcast carried on over 60 stations called, "The Lincoln County Cowboy Symposium." Until his last day, he kept his own band band busy in the Oklahoma City area, called "Talk Of The Town." His demand as a western and western swing session drummer put him on the records of many more artists... including Dayna Wills, Lefty Frizzell, Herb Ellis, Billy Contreras, Leon Rausch, Billy Jack Wills, Tom Morrell and others. Perkins once cited in an interview with "Modern Drummer" magazine that his influences included Buddy Rich, Smokey Dacus, Mel Lewis and Gene Krupa. There is little doubt as to why Tom Morrell asked this man to be on his first 4 solo recordings. He passed away in an automobile accident returning home to Oklahoma from a performance at the 16th Annual "Legends Of Western Swing" music festival in Wichita Falls, TX. Perkins was inducted into the Western Swing Society's Hall Of Fame in 1987. |
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DEAN REYNOLDS |
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VOCALISTS
NOW, LET'S HAVE A LOOK AT SOME OF THE FINEST WESTERN, WESTERN SWING |
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DON EDWARDS
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LEON RAUSCH |
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CHRIS O'CONNELL
Chris started singing traditional country early in life, and in 1970 switched her emphasis to Western Swing, Cowboy music and Jazz. She spent 13 years touring and recording with Asleep At The Wheel where she earned 7 Grammy nominations and took one home in 1978. Chris has lent her voice to many hours of commercial production and guest appearances on records ranging from Kinky Freidman to Bill Kirchen, Tom Morrell and more. She has provided music for feature films and appeared on at least two dozen music oriented television programs, a Presidential Inauguration, and at the Smithsonian. Chris is still quite active in the industry and is currently working on another solo album and continuing to make guest appearances.
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MARYANN PRICE
When it came time for Tom to do a CD with an all female cast of singers, Maryann Price came into the picture and made quite a splash as a new "tophand." After singing commercials in her native Baltimore (beginning at age 17) and Latin jazz in Las Vegas, Price moved to San Francisco where she became the driving voice behind Dan Hicks and His Hot Licks for many years and many recordings. Longtime fan and leader of Asleep at the Wheel, Ray Benson, subsequently hired Maryann who then logged countless road miles and recorded "Framed" with AATW. In 2000, after her Texas Music Hall of Fame induction, Maryann received acclaim for her CD, "Jazzland" (on Catfish Jazz).
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TRUDY FAIR
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REBECCA (Becky) KILGORE |
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ROBERT REAMS |
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LANNY LONG |
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HORN PLAYERS
NOW WE'LL HAVE A LOOK AT SOME OF THE MORE COMPLEX |
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CHRIS McGUIRE "The Minotaur" TENOR and ALTO SAXOPHONES Volume XI, XII, XIII, XV |
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RODNEY BOOTH |
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GALEN JETER "Ground Squirrel" TRUMPET, FLUGELHORN, ARRANGEMENTS Volume X, XI, XII |
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PETE BREWER "Bad Boy" TENOR and ALTO SAXOPHONES Volume V, VI |
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GLEN ROTHSTEIN "The Rodent" CLARINET, ALTO & TENOR SAXOPHONE Volume X, XV |
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WILLIAM (Billy) BRIGGS "Brontosaurus" TENOR SAXOPHONE, CLARINET Volume VII, IX |
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DAVE ALEXANDER |
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RANDY LEE |
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KARL LAMPMAN "The Kraut" TENOR SAXOPHONE / CHARTS Volume II, III, V, VI |
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ALLAN BEUTLER "Bighorn" BARITONE SAXOPHONE Volume II, III, V, VI, XII |
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JOHN OSBORNE "The Ox" TROMBONE Volume II, III, IX |
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SPECIAL APPEARANCES
HERE ARE A FEW OF THE MANY PEOPLE WHO WERE INVITED |
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CLINT STRONG Clint's electric guitar is more than apparent on Volume 4 ("Pterodactyl Ptales") of Tom's 1992 take on the "How The West Was Swung" series. Clint had been an active session player for many years around the Dallas area, where he currently continues to make guest appearances with big band and orchestra. |
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ANDY TIMMONS |
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PAUL GLASSE "The Gazelle" ELECTRIC MANDOLIN Volume II, III |
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FRED HAMILTON |
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TOMMY ALLSUP |
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BANKS DIMON |
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ERIC STUER "The Sturgeon" PERCUSSION Volume XIII |
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RICK SOLOMON "Beaver" (RIP) FIDDLE Volume I, II, III |
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BILL MINER Although Bill Miner wasn't short on talent, he only appeared on Tom Morrell's first solo project. A couple of days after the initial session (story here), it was decided to add a couple of additional tunes to the record, and Bill, a former UNT School of Music grad, was asked to step in. Bill added his drumming talent to "When The Bloom Is On The Sage" which was sung by Don Edwards, and "Honeysuckle Rose." Although Morrell's ability to find and hire 'the best' musicians brought Bill to the studio, he had also been a long time friend of Tom's. Bill left Texas shortly after the recording. |
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STEVE HOWARD Toured with "Paul McCartney and Wings"... need we say more? |
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PEEWEE LYNN "Packrat" (RIP) GRAND PIANO Volume II, III, V, VI |
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TOMMY NASH "Water Spider" ELECTRIC GUITAR Volume VIII, X |
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CHRIS YORK "El Lobo" DRUMS Volume II, III, |
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BILLY CARSON Not only a great player, but sits in the Guiness Book of World Records for growing the largest watermelon in the world |
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BOB WHITE "The Snow Leopard" (RIP) STEEL GUITAR Volume VII |
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HERB REMINGTON "The Toucan" STEEL GUITAR Volume VII Texas Western Swing Hall Of Fame, 1986 |
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JOE ELY "The Emu" STEEL GUITAR Volume VII |
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BOBBY KOEFER |
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SPENCER STARNES "Stork" ACOUSTIC BASS Volume VII |
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TONY RAMSEY "The Rhodesian Ridgeback" DRUMS Volume VII |
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TOMMY DEE "Red Dog" DRUMS Volume VII |
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JIM CRICKETT "Jim N. E. Crickett" NATURAL PERCUSSION Volume IX |
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ZENITH STAR "Cane Toad" GRAND PIANO Volume VII |
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CURLY HOLLINGSWORTH "Hog" (RIP) GRAND PIANO Volume VII |
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RICK WINKING "Whompus Cat" ACOUSTIC & ELECTRIC GUITAR Volume VII |
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LARRY FRANKLIN "The Ferret" UKULELE Volume VII |
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BOB MEYERS "Mallard" CLARINET Volume VII |
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LARRY HEATH |
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DANNY ROWLETT "The Teen Werewolf" HARMONY VOCALS Volume VIII, X, |
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JERRY BYRD "Bigfoot" (RIP) Gerald Lester Byrd March 9, 1920 - April 11, 2005 STEEL GUITAR Volume IX |
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BOB (Floyd L.) WHITE "Bob the Snow Leopard" (RIP) STEEL GUITAR Volume IX |
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PEE WEE WHITEWING "Pee Wee" STEEL GUITAR Volume IX |
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WILLIAM H. (BILLY) BRADDY "Duck" (RIP) March 14, 1938 - September 19, 2005 STEEL GUITAR Volume IX |
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JOHN ANDERSON "The Airdale" TRUMPET Volume X, |
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JOEY McKENZIE "Mighty Manatee" TENOR GUITAR Volume XI |
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BUD DRESSER "The Drake" TRUMPET Volume X |
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BYRON PARKS "Pack Mule" TRUMPET Volume X |
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DANNY HOLLIS "The Mole" TROMBONE Volume V |
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KURT DeKUEHN "Da Coon" TRUMPET Volume X |
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| TECHNICAL INHABITANTS OF "THE ZOO" | |
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GEORGE GEURIN
Re-mastered for CD, Volumes I thru VII between 1996 and 1999 |
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DAVID MORGAN
Morgan has been in audio since his high school days of the late 60s, moving to Texas in 1979 after a stint in the Marine Corps, several years in Los Angeles, and back to college. Lusting to return to the audio business, Morgan went to work for Honey Bee Records in Houston, later moving to Dallas and continuing his work in a variety of recording studios. He also served as 'house engineer' for the oldest music showcase room in Dallas for over 20 years. David finally met Morrell personally when taking over management of the small studio in Garland where Morrell had already been recording for 10 years. It was here where Morgan talked Tom Morrell into leaving analog tape and recording by using a digital tape machine, in March of 2000. They enjoyed a long work relationship until Morrell's untimely passing.
A-2, House Engineer, Advisor (asleep on couch), Volume X |
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MARK PETTY Split Recording and mixing with Morgan, Volume XIII |
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DONNIE McDUFF
Mastered Volume VI, |
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GARY HOGUE Recorded and Mixed: Volume I, II, III, IV, V, VI, |
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JUNIOR KNIGHT A-2 Recording Engineer on Volume II, III, |
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BOB SULLIVAN A-2 Mixing & Mastering of Volumes I, II, III,
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Famous for his Western guitar, his playing spans a variety of influences, from swing and jazz, to tejano, folk, and classical.




























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